just my personal notes about music theory
2+ notes played together
distance between any two adjacent notes in any chord should be either min3 or maj3 (tertian harmony)
distances between any two notes:
min2 - 0.5 steps
maj2 - 1 steps
min3 - 1.5 steps
maj3 - 2 steps
perf4 - 2.5 steps
dim5 - 3 steps
perf5 - 3.5 steps
aug5 - 4 steps
dim7 - 4.5 steps
min7 - 5 steps
maj7 - 5.5 steps
octave - 6 steps
full name of any chord: root_note min3/maj3 dim5/perf5/aug5 min7/maj7 min9/maj9/aug9 dim11/perf11/aug11 min13/maj13/aug13
diminished chord: note min3 dim5
augmented chord: note maj3 aug5
dominant chord: note maj3 perf5 min7
maj seventh chord: note maj3 perf5 maj7
min seventh chord: note min3 perf5 min7
- suspended chords: instead of min3/maj3 use sus2/sus4 (which means maj2/pef4), the rule about adjacent notes doesn't apply here
- 9/11/13 chords: the rule about adjacent notes might not apply here (non tertian harmony)
as based on root note C
C - C maj3 perf5
Cmin - C min3 perf5
Cdim - C min3 dim5
Caug - C maj3 aug5
C7 - C maj3 perf5 min7 (dominant)
Cmaj7 - C maj3 perf5 maj7
Cmin7 - C min3 perf5 min7
Cminmaj7 - C min3 perf5 maj7
Chalfdim7 - C min3 dim5 min7
Cdim7 - C min3 dim5 dim7
Caugmaj7 - C maj3 aug5 maj7
Csus - C perf4 perf5
Csus2 - C maj2 perf5
Cmin9flat - C min3 perf5 min7 min9
Cmin9sharp - C min3 perf5 min7 aug9 ???
root position - normal chord
1st inversion - root_note one octave higher
2nd inversion - root_note and 3rd - one octave higher
3rd inversion - root_note and 3rd and 5th - one octave higher
just set of preferable notes that sound good together
rule of thumb about naming: you can play a scale, but you cannot play a key
all notes in a chord must belong to a key
any major key is built as:
root_note + 1 step + 1 step + 0.5 step + 1 step + 1 step + 1 step + 0.5 step
1st 2st 3st 4st 5st 6st 7st 1st + octave
chords based on notes in scale:
1st - major chord
2st - minor chord
3st - minor chord
4st - major chord
5st - major chord
6st - minor chord
7st - diminished chord
same as major, but start from 6st
chords based on notes in scale:
1st - minor chord
2st - deminished chord
3st - major chord
4st - minor chord
5st - minor chord
6st - major chord
7st - major chord
maj 1-4-5
maj 1-6-4-5
maj 1-6-2-5 ???
maj 2-5-1
min 1-6-7
min 1-4-7
min 1-4-5
min 1-6-3-7
min 2-5-1
use chord inversions to bring notes closer together
https://www.hooktheory.com/trends
Take major scale of any note, but start from note number X and get this modes:
- ionian (I) aka major scale
- dorian (II) aka like minor with raised 6th note
- phrygian (III) aka like minor with lowered 2th note
- lydian (IV) aka major with raised 4th note
- mixolydian (V) aka major with lowered 7th note
- aeolian (VI) aka minor scale
- locrian (VII)