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October 2, 2024 22:22
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| FEMALE ANNOUNCER | |
| Evacuation... | |
| (waiting) | |
| Complete! The cryogenic state of | |
| Austin Powers is now completed. | |
| Austin lies in a bed tilted up in an extreme angle � la Dr. | |
| Frankenstein's lab. NURSE TECHNICIANS administer injections | |
| and monitor electrodes, IV's, and other biological sensors. | |
| AUSTIN | |
| (weakly) | |
| Where am I? | |
| BASIL EXPOSITION | |
| You're in the Ministry of Defense. | |
| It's 1997. You've been cryogenically | |
| frozen for thirty years. | |
| AUSTIN | |
| (shouting) | |
| WHO ARE THESE PEOPLE? | |
| BASIL EXPOSITION | |
| The shouting is a temporary side- | |
| effect of the unfreezing process. | |
| AUSTIN | |
| Yes, I'm having trouble | |
| controlling&emdash; | |
| (shouting) | |
| THE VOLUME OF MY VOICE! | |
| BASIL EXPOSITION | |
| You might also experience a slight | |
| fever, dry mouth, and flatulence at | |
| moments of extreme relaxation. | |
| Austin, this is Commander Gilmour, | |
| Strategic Command, and General | |
| Borschevsky, Russian Intelligence. | |
| AUSTIN | |
| Russian Intelligence? Are you mad? | |
| BASIL EXPOSITION | |
| A lot's happened since you were | |
| frozen, Austin. The cold war's over. | |
| AUSTIN | |
| Thank God. Those capitalist dogs | |
| will finally pay for their crimes | |
| against the people, | |
| hey Comrades? | |
| BASIL EXPOSITION | |
| We won, Austin. | |
| AUSTIN | |
| Groovy. Smashing! Good on ya! | |
| (to Gilmour) | |
| Nice tie. Yea capitalism! | |
| COMMANDER GILMOUR | |
| Mr. Powers, the President's very | |
| concerned. We've got a madman on | |
| the loose in Nevada. | |
| BASIL EXPOSITION | |
| It's Dr. Evil. | |
| AUSTIN | |
| When do I begin? | |
| BASIL EXPOSITION | |
| Immediately. You'll be working with | |
| Ms. Kensington. | |
| AUSTIN | |
| You mean Mrs. Kensington? | |
| BASIL EXPOSITION | |
| No, Austin, Mrs. Kensington has long- | |
| since retired. Ms. Kensington is | |
| her daughter. | |
| VANESSA KENSINGTON, Mrs. Kensington's daughter, beautiful, | |
| mid-Twenties, English, enters. She is wearing a very | |
| conservative, business pantsuit. Her hair is up and she | |
| wears glasses. Austin's breath is taken away. | |
| She sets down a huge stack of files. | |
| BASIL EXPOSITION | |
| Vanessa's one of our top agents. | |
| AUSTIN | |
| (out loud, to himself) | |
| My God, Vanessa's got a smashing | |
| body. I bet she shags like a minx. | |
| How do I tell them that because of | |
| the unfreezing process, I have no | |
| inner monologue? | |
| (pause) | |
| I hope I didn't say that out loud | |
| just now. | |
| There is an uncomfortable SILENCE. | |
| VANESSA | |
| Mr. Powers, my job is to acclimate | |
| you to the Nineties. You know, a | |
| lot's changed since 1967. | |
| AUSTIN | |
| Well, as long as people are still | |
| having promiscuous sex with many | |
| anonymous partners without protection, | |
| while at the same time experimenting | |
| with mind-expanding | |
| drugs in a consequence-free environment, I'll be sound as a | |
| pound. | |
| VANESSA | |
| My mother's told me all about you. | |
| AUSTIN | |
| If it's a lie, goddamn her. It it's | |
| the truth, goddamn me. | |
| (pause) | |
| God, I hope that's witty. How's | |
| your mum? | |
| VANESSA | |
| My mother's doing quite well, thank | |
| you very much. | |
| BASIL EXPOSITION | |
| Yes, well...Agent Kensington will | |
| get you set up. She's very dedicated. | |
| Perhaps, a little too dedicated. | |
| (aside to Austin) | |
| She's got a bit of a bug up her ass. | |
| Good luck, Austin, the world's | |
| depending on you. | |
| AUSTIN | |
| Thank you, Exposition. | |
| BASIL EXPOSITION | |
| Oh, and Austin&emdash; | |
| AUSTIN | |
| Yes? | |
| BASIL EXPOSITION | |
| Be careful. | |
| AUSTIN | |
| Thanks. | |
| Basil exits. |
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